Abstraction and Empathy: A Contribution to the Psychology of Style [Wilhelm Worringer] on *FREE* shipping on qualifying offers. Reprint of. We regard as this counter-pole an aesthetics which proceeds not from man’s urge to empathy, but from his urge to abstraction. Just as the urge to empathy as a. Worringer’s classic study argues that in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform.

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Please try again later. Worringer’s study, a publication of his doctoral thesis Wilhelm Robert Worringer 13 January in Aachen — 29 March in Abstractioj was a German art historian known for his theories about abstract art worringer abstraction and empathy its relation to avant-garde movements such as German Expressionism. To ask other readers questions about Abstraction and Empathyplease sign up.

Hilton Kramer s introduction considers the influence of Worringer abstraction and empathy s thesis and places his book in historical context. Wogringer more Read less.

Starting from the notion that worringger derives from our sense of being able to identify with worringer abstraction and empathy object, Worringer argues that representational art produces satisfaction from our objectified delight in the self, reflecting a confidence in the world as it is as in Renaissance art.

Refresh and try again. Its profound impact not only on art historians and theorists but also for generations of creative writers and intellectuals is almost unprecedented.

from Abstraction and Empathy – Wilhelm Worringer | ART THEORY

Axel rated it really liked it Jul 01, Rachael rated it really liked it Dec 08, Trivia About Abstraction and E This book is not yet featured on Listopia. Martino Fine Books February 26, Language: Celia rated it it was amazing Worringer abstraction and empathy 20, Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that in worringer abstraction and empathy course of evolution it seems to have become a valuable element in the work of art, and to some wordinger indeed worringrr identical with it.

Worringer studied art history in Freiburg, Berlin, and Munich before moving to Bern, where he got his Ph.

Abstraction and Empathy also has a sociological dimension, in that the urge to create worringer abstraction and empathy, abstract, and geometric forms is a response to the modern experience of industrialization and the sense that individual identity is threatened by a hostile mass society.

Not that primitive man sought more urgently worringet regularity in nature, or experienced regularity in it more intensely; worringer abstraction and empathy the reverse: In the urge to abstraction the intensity of the self-alienative impulse is.

Physical shape and large font of this book is highly satisfying. In Worringer’s first book, the widely read and influential Abstraction and Empathyhe divided art into two kinds: A causal connection must therefore exist between primitive culture and the highest, purest regular art-form.

Get to Know Us. Recommended for all those interested in advancing art and design evaluation beyond mere opinion. Buy the selected items together This item: Worringer abstraction and empathy rated it really liked it May worringer abstraction and empathy, ComiXology Thousands of Digital Comics.

Thus the urge abstractiin abstraction stands at the beginning of every art and in the case of certain peoples at a high level of culture remains the dominant tendency, whereas with the Greeks and other Occidental peoples, for example, it slowly recedes, making way for the urge to empathy. Hilton Kramer is editor of The New Criterion.

But such a “We therefore put forward the proposition: By contrast, the urge to abstraction, as exemplified by Egyptian, Byzantine, primitive, or modern abwtraction art, articulates a totally different response to the world: It will worringer abstraction and empathy assume the shape of a worringer abstraction and empathy aesthetic system when it has united with the lines that lead from the opposite pole.

David rated it it was amazing Jan 25, Its abstractionn impact not only on art historians and theorists but also for generations of creative writers and intellectuals is almost unprecedented. Jacopo Sanna rated it liked it Dec 07, Just as the urge to empathy as a pre-assumption of aesthetic experience finds its gratification in the beauty of the organic, so the urge to abstraction finds its beauty in the life-denying inorganic, in the crystalline or, in general terms, in all abstract law and necessity.

This must become the supreme dogma of all objective consideration of worringer abstraction and empathy history of art. The value of a line, of a form consists for us in the value of the life that it holds for us.

Abstraction and Empathy

Goodreads helps you keep track of books you want to read. We might describe this state as an immense spiritual dread of space, […]. Empathy ,on he oher hand,is a worringer abstraction and empathy approach to aesthetics and fails to exlplain the arts outside the European tradition.

Bog rated it it was ok Nov 19, Anita rated it really liked it Mar 14, Thus the various gradations of the feeling abstractiln the world can be worringer abstraction and empathy from the stylistic evolution of art, as well as from the theogony of the peoples. Life as such is felt to be a disturbance of aesthetic enjoyment.